Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Mai 36 Galerie and Ota Fine Arts Shanghai are delighted to present Ethereal Machines, a dual exhibition that brings together Chinese artist Zang Kunkun and Singapore artist Guo-Liang Tan.
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The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more
Singapore—Pearl Lam Galleries is delighted to present In Silence, a group exhibition that explores the introspective qualities of art from the contemporary era. >> Read more
It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more
The government approaches this art market thingy the way a tiger mother might, not because art is good for folks but for glory and good marks—because she really is very competitive. It is soft power, red in tooth and claw. >> Read more